Le Parédé, 25/08/2022 at 14:30, message transmitted by Thétys, Pteris Cretica, the new master plant of the Chant des Plantes programme (the song of the plants), which since 2018 has seen no real progress.
While the talks keep coming, since my adventure in the forest (see the Golb article I published on the Parédé website, and messages I and J on the Chant des Plantes blog) I have hardly used the keyboard at home any more. Only curious visitors passing through sometimes manage to get me to take the U1 device out of its box. On top of that, 2020 saw the death of Danaé after a particularly intense summer, and I have to say that for me it was as if I had lost a sister or a very close collaborator, taking me that much further from those moments when the two of us would meet for our adventures in “Vegeal” terrain.
This summer, I was invited to the FIMP festival (Festival International de la Musique des Plantes), which I had not been able to attend these past two years because of pass and vaccine business that I hardly approve of. As it happens, Jean Thoby, the organiser and brilliant botanist who owns the Gaujacq botanical garden, is Danaé’s father, and so Danaé’s sisters and mothers are to be found at his place. I therefore took advantage of my visit there to insist on leaving with Danaé’s kin. That is how Thétys, also a Pteris Cretica fern, joined us.
So, having left the path of words four years ago, it was with a view to using the U1 device in our treatment room that I decided to work with Thétys that day, to create the right keyboards (all in 432 hertz, if you please) for healing through the music of the plants. But unable to resist making a singular contact with this new lady, I left the word keyboard within reach to see whether she might have something to tell us. And she spoke. And once again I told myself that I ought to take down and transcribe their messages more often, given how pertinent they seem.
«At the moment, you are thinking of us for healing more than for carrying on your work on our speech.
For healing, we work on the structure of water through the informational and vibratory movement of music. It is a way of making you remember your initial structure, and not of passing ours on to you, as if we possessed something you lacked!
Through the vibration of sound, we scan you and amplify the melody of your root song, which is hardened by all the miasmas, immobilised by the shocks and the false questions. That is what makes you sick. This primordial song is present and carried by the earth as well, and it normally spreads through the minerals when they are not sick, as they are at present on the subtle and material planes.
The heat on the earth, the rise in power of the sun at the moment, is an attempt to clean and regenerate the minerals so that they recover their role as amplifier and tuning fork.»
RAW TEXT:
Soigner/Jour/Parler/Peu/Eau/Beaucoup/Musique/Pas/Végétaux/Recherche/Dedans/Malade/Humain///Musique/Terre//Chaud/Bien/Minéraux/Malade/Ailleurs/Ici///
[Heal/Day/Speak/Little/Water/Much/Music/Not/Plants/Research/Inside/Sick/Human///Music/Earth//Hot/Good/Minerals/Sick/Elsewhere/Here///]
EDITOR’S NOTE: On the first « Musique » she triggers Mozart’s Requiem, track 6, the « Recordare », which translates from the Latin as: «To make one remember, to call back to memory»
5min32 – 21 words – 0 struck out
Illustration by Judith Shaw, “Goddess-Dreaming”
